Utagawa Hiroshige, Japanese Woodcut Print, 19th Century for sale at Pamono

Description

This is a superb polychrome woodblock print (nishiki-e, ink and color on paper), likely realized by Utagawa Hiroshige (Japanese, 1797-1858) at the middle of 19th century. This plate is signed on plate by the artist in a cartouche, and reports the marks of censorseal. In fair condition, with vivid colours and fresh impressions, this plate has some aging signs (yellowing of the paper, discolorations. Although some thinned areas this ukiyo-e print has preserved still today its beauty and charm. Collect this superb ukiyo-e, depicting pilgrims at the temple, an image useful for the meditation, to embellish your house with a sophisticated Oriental touch! Utagawa Hiroshige (Japan, 1797-1858) Born Ando Hiroshige, Hiroshige was the best known Japanese ukiyo-e artist, considered the last great master of that tradition . Remembered for his horizontal-format landscape series, the obans of the print series The Fifty-three Stations of the Tokaido and for his vertical-format landscape series One Hundred Famous Views of Edo . The subjects of his work were atypical of the ukiyo-e genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan’s Edo period (16031868). The Hiroshige’s death marked the beginning of a rapid decline in the ukiyo-e genre, especially in the face of the westernization that followed the Meiji Restoration of 1868, but the Hiroshige trends returned under the name of Japonism on Western European painting towards the close of the 19th century. Famous artrtists, such as Manet and Monet, collected and closely studied Hiroshige’s compositions.